Director Alex Proyas (“The Crow,” “I, Robot”) has teamed up with U.K.-dependent 108 Media to launch a slate of collaborations, kicking off with $35 million function film challenge “Sister Darkness.”
The 1930s, U.K.-set tale follows the freshly wed, but unhappy, Alice who stumbles across her doppelganger Isla. Her existence is a secret seeped in a tale of bloody retribution against her oppressors, a hellish supernatural nightscape and an uprising against the deceitful aristocracy.
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From a script by Proyas, the movie will be shot in Australia from late-2022 into mid-2023, employing a fully digital manufacturing system specially formulated and refined by Proyas’ VFX studio Heretic Basis. No cast attachments have been introduced however.
The multi-faceted offer was struck and negotiated by 108 Media’s CEO Abhi Rastogi and president of generation Justin Deimen, supported by Rod Smith, director, acquisitions, and Steven Rosser (authorized counsel) with Heretic Foundation’s CEO & innovative director Proyas, GM and government producer Andrew Robinson, studio producer Erasmo (Raz) Raimundo and Craig Emmanuel of Paul Hastings regulation company in Los Angeles.
Proyas, his IP advancement business Mystery Clock Cinema and Heretic have been building new techniques to filmmaking in the virtual production house considering that 2020. They purpose to alter filmmaking by reducing prices without the need of sacrificing inventive intent. They believe that that virtual generation, which works by using substantial LED backdrops, give creators far more electricity and overall flexibility and see “Sister Darkness” as a showcase for the technology’s capabilities.
“ ‘Sister Darkness’ will be a milestone in the use of virtual creation at this scale and Heretic’s proficient crew will enable us to build manufacturing values at substantially larger levels in this spending budget range than ever ahead of considered achievable. This is the potential of filmmaking,” mentioned Proyas.
He describes the search and experience of “Sister Darkness” staying impressed by British horror movies of the 1960s and 1970s, with deep reverence to legendary films these as “The Innocents” and “The Legend of Hell House.” He also calls it, “a macabre feminine-driven fever aspiration of revenge and gothic terror with deep franchise opportunity.”
“Working with Alex and what he has developed with Heretic aligns with 108’s target to be equipped to support daring innovative eyesight from strategy to last mile distribution as our information financing divisions has scaled up immensely this yr with new partners and continuing strategic expansions,” mentioned Rastogi.
The 108 Media studio is a global IP and media asset expense company in the telecoms-media-technologies house, that aims to redefine and revolutionize the way information is made, curated and eaten. It has a emphasis on rising markets and maintains workplaces in Singapore, Manila and Kuala Lumpur in addition to its London headquarters and other offices in Toronto, Los Angeles and Tokyo.
Very last week, 108 Media announced the vast majority acquisition of APAC manufacturing firm Revolution Media (producer of “Dirk Gently’s Holistic Detective Agency” and “The Ghost Bride” for Netflix) and its IP slate.
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